Among exhibits which span the Central and South Americas, and thousands of years, there were some huge, impressive pieces of stone art there, such as ancient Aztec sacrificial altars and parts of Mayan temples. But awesome as they were, I just couldn't get over these small ceramic vessels and figures! They are so playful and so streamlined. It's as if time disappears, and the artist is right there, talking and joking with the viewer, with gestures that we still share.
Next to the collection there was also a picture of Diego himself – somehow, not too different from the spirit of some of his statues … ; )
Lately, the life of our class has been virtually nothing but organising, organising and organising. It is because this year, it's our turn as 3rd years, to organise the traditional jewellery auction which will fundraise for our end-of-year exhibition and catalogue. Amazing how quickly the time has gone from first year to here, almost leaving … it's great, with all we've learned and the jewellery moments along the way, but a little scary at the same time. And now, only a few days to go to the first big event of our (quickly vanishing) year.
Here are the important details of what, where and when. You can also see images of work for sale at our blogsite, link below. The site is still continuously updated, so mark it in your browser and keep checking back.
RMIT Gold and Silversmithing Annual Jewellery Auction 2010: Snap up the work of contemporary jewellers and silversmiths!
The RMIT Gold and Silversmithing auction is just around the corner – only four days to go! An annual landmark within the jewellery community, collectors and the public, this event is a great opportunity to spot emerging jewellers and silversmiths, and to purchase original handmade pieces by established and up-and-coming artists.
The work will be auctioned by the legendary jewellery expert Mr Ronnie Bauer of Klepner’s Fine Antique Jewellers, assisted by our own Alysha Batliwalla. A fundraising tradition, all proceeds go towards the end-of-year graduate exhibition and catalogue which highlight the exceptional talent this course nurtures and develops.
Come along, have a wonderful night and show your support by bidding on some outstanding jewellery pieces!
Wednesday 11 August Previewing of work from 6.00 pm Auction begins 7.00 pm
The auction venue is just opposite RMIT Storey Hall, upstairs:
The Order of Melbourne Level 2 /401 Swanston Street
Food & drinks available at the venue Credit card and EFTPOS facilities
If you're a maker and would like to support us by donating original jewellery, it's not too late! Please see our Invitation to Participate for details.
Welcome! The Graduating Gold and Silversmithing Class of 2010
Would be great to know if all hell breaks loose every time the dad walks out of the room or stops cootchy-cootchy!
I found this clip after participating in a survey on computer generated laughter vs. human laughter. It was surprisingly difficult to decide on some of the seven clips played, which one was which. The site also presents short videos on the science of laughter - did you know, for example, that rats giggle when they're tickled, and seem to enjoy the activity?
You can participate online here, it's a short and simple test, run by Acoustic Engineering at Salford University, UK, supported by the New Scientist magazine.
'Welcome stranger, I am potato.' (Shop window, Tokyo)
This blog is my attempt to document, preserve and reflect on the ordinary and the breathtaking in each day. It began as a diary based on my walking practise around Brunswick West in 2009, and continues (together with walking: we're still here) as a place to occasionally publish my 2D and 3D works.
I am Inari, a migrant from Finland and a multidisciplinary artist & designer. I live and work in Melbourne, Australia, translating my native relationship with wilderness and changing seasons into objects, images and words inspired by light, clouds and atmospheres in urban environments. Often experimenting with non–precious, industrial materials such as concrete and steel, the core of my practice is revealing beauty within ordinary, everyday things.