Showing posts with label light. Show all posts
Showing posts with label light. Show all posts

Thursday, September 29, 2016

Night falls over Brunswick, concrete brooches





These three brooches from the Night falls over Brunswick-series were my entry to this year's Mari Funaki Award for Contemporary Jewellery at Gallery Funaki, Melbourne, Australia. From the top:

Suburban moon, close and distant (2016), concrete, mica, pigment, stainless steel pin
A tree and the night's edge (2016), concrete, glass fragments, pigment, paint, stainless steel pin
The Universe sees us asleep (2016), concrete, copper, enamel, glass, paint, stainless steel pin



'Vessel' exhibition at Bilk Gallery, Canberra



Holding onto light
(2016)
concrete, glass fragments, iron oxide, pigment, wax

One of my three symbolic vessel-objects at Bilk, contemplating light. You can find more images
and information about the beautiful exhibition with six participating artists
at the gallery website here.


Monday, November 14, 2011

Japan 1: hikari, akari, kaze ...







Koyasan on the mountain, October 2011


Sunday, June 13, 2010

way home





















12 June, early morning hours, past the sleeping zoo to brunswick west

Friday, March 19, 2010

burned brooch









Blue and amber brooch (2010) 100 mm x 20 mm x 35 mm
found object, plastic, oil paint, silk, 925


For our first jewellery project at RMIT this semester, I've been playing with plastics, melting and combining them with bits and pieces of other materials, mainly found objects. I used to really resent plastic as a substance, for several reasons, mainly prejudice I guess, but have come to think that the recyclability, affordability, range of colours, and the "organic" accidents which can occur while moulding the pieces are quite interesting. The toxicity however still worries me, and it might be for a while yet before I run tests in the home oven again : /

I found the amber coloured translucent component in a burned house, late last year, and made the clear piece by subjecting laboratory grade acrylic to high heat (yes, our oven on 210+C!!), with silk and blue paint encapsulated. The pin is sterling silver, and as the images reveal, got lots to learn in this department still. But what I really love, and can never get tired of, is the surprise, beauty and inspiration that randomly picked up, seemingly worthless (abandoned, discarded, even partly destroyed) objects can provide, both as themselves, and together with unexpected others.

+ Click on the images for better detail +

Thursday, August 20, 2009

sketches for paintings






With the light outside increasing towards spring, shadows grow softer.
For some reason I find myself currently drawn to the semi-lit moments between dusk and total darkness. Essential detail is still there, yet now somehow with a memory-like dimension, stillness which allows time for contemplation. Time distorts in an interesting way.

Thank you, beautiful friends.